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Moonglow: A Novel, by Michael Chabon
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Amazon.com Review
An Amazon Best Book of November 2016: In the days following the publication of Mysteries of Pittsburgh, Michael Chabon traveled to California to sit by his dying grandfather, a typically taciturn and reserved man. But Dilaudid had loosened his tongue, and out came a torrent of remarkable stories of full of secrets, love, pain, sex, and regret. Chabon’s remarkable new “autobiographical novel†Moonglow is mined from, but not limited by, those conversations; as he states in his author’s note at the head of the book: “In preparing this memoir, I have stuck to facts except when facts refused to conform with memory, narrating purpose, or the truth as I prefer to understand it. Wherever liberties have been taken … the reader is assured that they have been taken with due abandon.†The result is a sprawling, yet intensely personal, paean to his grandparents, their lives together and as individuals. World War II and its atrocities cast long shadows, as does the Space Race and the titular moon, which hangs over the story as a bright dream of escape and a dark reminder of failed aspiration. Like The Mysteries of Pittsburgh, Wonder Boys, and especially The Amazing Adventures of Kavalier and Clay, this is classic Chabon: an intensely personal story uplifted by the shifting tectonic plates of truth and memory, floating atop his inimitably crafted, sometimes audacious, always original prose. --Jon Foro, The Amazon Book Review
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Review
“Elegiac and deeply poignant ... Chabon weaves these knotted-together tales together into a tapestry that’s as complicated, beautiful and flawed as an antique carpet.... Chabon is one of contemporary literature’s most gifted prose stylists.... In Moonglow, he writes with both lovely lyricism and highly caffeinated fervor.” (Michiko Kakutani, New York Times)“An exuberant meld of fiction and family history.... It’s the caliber of his writing-evocative sentences and indelible metaphors-that gives the novel its luster…. Moonglow prisms through a single life the desires and despair of the Greatest Generation, whose small steps and giant leaps continue to shape us all.” (Hamilton Cain, O Magazine)“A wondrous book that celebrates the power of family bonds and the slipperiness of memory….A thoroughly enchanting story about the circuitous path that a life follows, about the accidents that redirect it, and about the secrets that can be felt but never seen, like the dark matter at the center of every family’s cosmos.” (Ron Charles, The Washington Post)“Mix[es] in generous dollops of meaning, a sprinkling of fancy metaphors and an abundance of beautiful sentences so that it becomes a rich and exotic confection. Too strict a recipe would have spoiled the charm of this layer cake of nested memories and family legends.… This book is beautiful.” (A.O. Scott, New York Times Book Review, cover review)“A flamboyantly imaganitive work of fiction dressed in the sheep’s clothing of autobiography....His most confident and complex performance....Moonglow is a movingly bittersweet novel that balances wonder with lamentation.” (Sam Sacks, The Wall Street Journal)“Like The Mysteries of Pittsburgh, Wonder Boys, and especially The Amazing Adventures of Kavalier & Clay, this is classic Chabon: an intensely personal story uplifted by the shifting tectonic plates of truth and memory, floating atop his inimitably crafted, sometimes audacious, always original prose.” (Jon Foro, The Amazon Book Review, Spotlight Pick)“A poignant, engrossing triumph.” (People)“An often rollicking, ultimately moving read. And like the song, it’s liable to stay with you.” (Heller McAlpin, NPR.org)“Absolutely brilliant…. Stylistically and emotionally, Moonglow took our breath away over and over.” (iBooks Review)“His prose is as luminous as ever.” (Entertainment Weekly)
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Product details
Hardcover: 430 pages
Publisher: Harper; 1st edition (November 22, 2016)
Language: English
ISBN-10: 0062225553
ISBN-13: 978-0062225559
Product Dimensions:
6 x 1.4 x 9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
234 customer reviews
Amazon Best Sellers Rank:
#104,828 in Books (See Top 100 in Books)
Late in this book, Chabon declares that "Sometimes even lovers of fiction can be satisfied only by the truth." If even only a small portion of this "autobiographical novel" were true, a reader would end the book concluding that Chabon's grandfather was a remarkable man indeed. You probably wouldn't think so at the beginning, though, as the opening scene of the novel is a description of the assault--more like attempted murder--that lands Chabon's grandfather into prison. I think it is a testament to both the man and Chabon's writing skills that the reader overcomes this negative first impression to arrive at a heartfelt sympathy and admiration for him.It's hard to summarize this novel, as the plot is not linear but instead darts back and forth across time and topic (despite, it should be said, the grandfather's explicit plea to "put the whole thing in proper chronological order"). At its most basic, it is the description of the last days of Chabon's grandfather's life, wherein he suddenly begins divulging aspects of his history that Chabon had not heard before. The bulk of the memoir concerns three major narrative threads: the grandfather's wartime experiences, where he was tasked with hunting down everything and everyone associated with the German's rocketry program after Hitler's collapse and before the Russians could take custody of the material; the fraught relationship between Chabon's grandparents, especially with respect to dealing with his grandmother's mental illness; and the period shortly before Chabon's grandfather's death, when he finds himself falling in love again.However, describing the novel in these terms really does not do justice to the narrative layers and complexity of the issues Chabon grapples with. The description of Mittelbau, the concentration camp constructed by the Nazis devoted to building V-2 rockets, will haunt me for a long time, and Chabon's discussion of Werner von Braun's apparently fully cognizant role in this camp culminates in the painful conclusion that America's "ascent to the moon had been made with a ladder of bones."Perhaps the most poignant aspect of the novel was the deep---and completely unwarranted--sense of failure and despair that Chabon's grandfather seems to have carried throughout his life, as expressed in this passage: "All my life, everything I tried, I only got halfway there. You try to take advantage of the time you have... But when you're old, you look back and you see all you did with that time is waste it. All you have is a story of things you never started or couldn't finish." It saddens me to think that he never recognized the strength of his character and all the remarkable things he accomplished, not least of which was loyalty to his wife under circumstances where many would be tempted to give up and walk away.I think "Moonglow" is one of the best novels I have read in years, and I hope this review does not deter anybody from reading it. My description is admittedly rather bleak, but while the book does delve into serious topics and describes heartbreaking events, it would be a mistake to think that it is relentlessly depressing. Much humor abounds, especially involving the character of Uncle Ray, a man for whom the adjective "rascally" was seemingly invented, who takes custody of Chabon's mother when the grandparents were institutionalized. And even though the subject matter is often disturbing or depressing, the beauty of Chabon's prose makes reading the book immensely worthwhile. I found myself dog-earing numerous passages that resonated deeply with me, such as this one where Chabon notes that during the war, his grandfather "was accustomed by now to feeling grateful that when death settled like a flock of birds around him, it was other men and not him on whom it perched. This gratitude never had anything to do with happiness."Other reviewers have opined that this novel, while excellent, does not quite live up to some of Chabon's earlier Pulitzer prize-winning novels. I cannot attest to the validity of that opinion, because I must confess that this is the first book by Chabon (but by no means will be the last!) that I have ever read. What I *will* say is that if Chabon has written books that are even better than "Moonglow," he must surely be one of greatest writers of our time.
Moonglow did not work for me. The fact that it was a novel disguised as a memoir or a memoir disguised as a novel was disconcerting. I thought it lacked the focus and tight plotting of a novel. It meandered a bit like a memoir but Chabon is quick to tell you that you can't rely on any of it as being a true history of his family. He is such a good writer that even in the parts that are bogged down his great craft is there and it is always enjoyable to follow along, but I kept feeling like now that Michael Chabon is a big shot, no one wanted to tell him that the book is desperately in need of a tight edit. I thought it was extremely self-indulgent and the product of an author who has gotten so big that he can just write anything he wants and people will buy it. Here's hoping that his next book is a real novel.
"Moonglow" the latest novel from the inventive Michael Chabon, is also one of his most successful creations. This thoroughly enjoyable novel is fashioned as a family memoir, written by an author named "Michael Chabon," focusing on his grandfather, grandmother and mother. The central conceit is that it is based largely on intimate details that the grandfather shares with his grandson "Michael" when he is on his deathbed. The confessional form is well-executed and serves the author well: I don't think the novel would work near as well without its air of verisimilitude, which extends to very realistic evocations of both time and place: Philadelphia in the 30's, post-war Baltimore, Riverside in the Bronx, and a Florida retirement community are all locales that are sketched artfully.I should note the memoirist stance isn't completely successful. There are quite a few scenes in the novel where the details that are "shared" between grandfather and grandson are much more intimate than I would judge reasonable from someone in the generation of Americans that came of age during World Ware II.The book contains a number of striking literary resonances: here and there it pays homage to J.D. Salinger's shattering World War II experiences, "Gravity's Rainbow's" picaresque account of the German V2 rocket program, and the author's own comic book obsession that was on display in "Kavalier and Klay." Like a Doctorow novel, a couple of historical personages make dramatic appearances: the life and career of Werner von Braun is a major narrative thrust, while both "Wild Bill" Donovan and Alger Hiss make cameo appearances that add to the realism of the plot. There are also distinct echoes of the deranged road trip Lolita takes with Humbert, with the deft twist of a modern empowered, feminist heroine. (Think, Felix Krull, Confidence Man, corrupts Katniss Everdeen.)Chabon has an especially deft touch with all his female characters; when they are center stage, the book really shines. How the grandfather's tale illuminates the author's understanding of his mother and her life history (and, by definition, his) is a particularly poignant high point.The life of the lead character, the grandfather, dominates the narrative, and that is not always the book's strength because he is a bit more one-dimensional than any of the female protagonists. In a final bit of literary resonance, he reminded me of a Jewish version of Bellow's Henderson -- he wants, but he usually isn't able to articulate what it is that he wants. And, like Bellow's hero, his comic blundering propels the novel's action forward.All in all, this is a very satisfactory read.
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